![]() ![]() It feels like Erice is purposely focusing on materials or phenomea which feel extremely tangible when watching the movie. For this reason, I consider some of the scenes in El espíritu de la colmena could be related to haptic cinema. I think Erice underlines the influential consequences cinema carry by making the cinematography feel extremely tangible and present. However, I think Víctor Erice makes the spectator feel in a very similar manner by presenting the story as real while continuously stating how fiction does not belong to reality. Ana is a child who does not clearly differentiate between what belongs to the real world and what is part of a narrative shown on the screen. ![]() El espíritu de la colmena is a film that reflects on cinema and movie-making.
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